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grotesque$32913$ - Übersetzung nach niederländisch
![National Trust]] of the United Kingdom, which manages Stourhead, was loosely designed by Paul Barnes based on the inscription.}}](https://commons.wikimedia.org/wiki/Special:FilePath/Grotto motto, Stourhead park (9313913818).jpg?width=200 "National Trust]] of the United Kingdom, which manages Stourhead, was loosely designed by Paul Barnes based on the inscription.}}")
![access-date=17 August 2015}}</ref> [[Seravek]], a modern humanist typeface, has a more organic italic which is less folded-up.](https://commons.wikimedia.org/wiki/Special:FilePath/Sans-serif italics.png?width=200 "access-date=17 August 2015}}</ref> [[Seravek]], a modern humanist typeface, has a more organic italic which is less folded-up.")
.jpg?width=200 "Dublin 1848, caps-only heading with crossed V-form 'W'")
 Act 1916.jpg?width=200 "Italic, Dublin, 1916")
 Plakat 4. Kriegsanleihe 1916.jpg?width=200 "Nearly monoline and stroke-modulated sans; Austrian war bond poster, 1916")
![descenders]], allowing tight linespacing. Switzerland, 1928.](https://commons.wikimedia.org/wiki/Special:FilePath/Votation Kursaals 1928.jpg?width=200 "descenders]], allowing tight linespacing. Switzerland, 1928.")
.jpg?width=200 "Lightly modulated sans-serif lettering on a 1930s poster, pointed stroke endings suggesting a brush")
![A 1940s American poster. The curve of the 'r' is a common feature in grotesque typefaces, but the 'single-storey' 'a' is a classic feature of geometric typefaces from the 1920s onwards.](https://commons.wikimedia.org/wiki/Special:FilePath/"Cancer Danger Signals" - NARA - 514028.jpg?width=200 "A 1940s American poster. The curve of the 'r' is a common feature in grotesque typefaces, but the 'single-storey' 'a' is a classic feature of geometric typefaces from the 1920s onwards.")
![1952 Jersey holiday events brochure, using the popular [[Gill Sans]]-led British style of the period](https://commons.wikimedia.org/wiki/Special:FilePath/1952 Jersey holiday events brochure.jpg?width=200 "1952 Jersey holiday events brochure, using the popular [[Gill Sans]]-led British style of the period")
![transfers]].](https://commons.wikimedia.org/wiki/Special:FilePath/Initiative armement 1972.jpg?width=200 "transfers]].")
![Governmental poster using [[Univers]], 1980](https://commons.wikimedia.org/wiki/Special:FilePath/Veterans Day Poster 1980.jpg?width=200 "Governmental poster using [[Univers]], 1980")
![Distorted sans-serif in the "[[grunge typography]]" style, Ankara, 2002](https://commons.wikimedia.org/wiki/Special:FilePath/14. AUFF.jpg?width=200 "Distorted sans-serif in the \"[[grunge typography]]\" style, Ankara, 2002")
![Alan Kitching]], 2015](https://commons.wikimedia.org/wiki/Special:FilePath/Alan Kitching on Press at The Guardian.jpg?width=200 "Alan Kitching]], 2015")
Definition
Wikipedia
The grotesque body is a concept, or literary trope, put forward by Russian literary critic Mikhail Bakhtin in his study of François Rabelais' work. The essential principle of grotesque realism is degradation, the lowering of all that is abstract, spiritual, noble, and ideal to the material level. Through the use of the grotesque body in his novels, Rabelais related political conflicts to human anatomy. In this way, Rabelais used the concept as "a figure of unruly biological and social exchange".
It is by means of this information that Bakhtin pinpoints two important subtexts: the first is carnival (carnivalesque), and the second is grotesque realism (grotesque body). Thus, in Rabelais and His World Bakhtin studies the interaction between the social and the literary, as well as the meaning of the body.
